Watch ‘Awards Chatter’ Podcast — Billie Eilish & Finneas (‘No Time to Die’) – The Hollywood Reporter

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Watch ‘Awards Chatter’ Podcast — Billie Eilish & Finneas (‘No Time to Die’) – The Hollywood Reporter Youtube HD Video Online

This week’s visitors on The Hollywood Reporter’s awards podcast, siblings Billie Eilish and Finneas O’Connell, have solely been on the scene for the final six years and are simply 19 and 24, respectively, however they’re already, within the phrases of NPR, “two of the most influential artists on earth right now.” Their songs — most of which have been recorded in O’Connell’s childhood bed room, have been co-written by the 2, characteristic vocals by Eilish and have been produced by O’Connell — have been streamed actually billions of instances and damaged pop chart and Grammys data. Now, for the primary time, they’re in Oscar competition, having co-written successful Bond music, “No Time to Die,” which Eilish additionally performs in No Time to Die.

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You possibly can hearken to the convo by way of this audio participant. The article continues beneath.

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Eilish and O’Connell’s unlikely rise to mega-stardom began with “Ocean Eyes,” a music they uploaded to SoundCloud in 2015, which went viral and led to a take care of Interscope. Then got here the 2017 EP Don’t Smile at Me and subsequently two albums, each of which debuted atop the Billboard 200 chart.

The primary was 2019’s When We All Fall Asleep, The place Do We Go?. At one level, 12 of its 14 songs have been concurrently on the Billboard Sizzling 100 chart, together with two others by Eilish, for a complete of 14, besting (by one) Cardi B’s report for many songs from a feminine artist’s debut album on the Billboard Sizzling 100 chart. The album’s fifth single, “Bad Guy,” turned her first music to high the Sizzling 100, dethroning Lil Nas X’s “Old Town Road” after it spent a record-breaking 19 weeks within the high spot, and making Eilish the primary artist born on this millennium to have a No. 1 music and the youngest feminine artist to take action since Lorde with “Royals.” Only a 12 months after its launch, the album was ranked amongst Rolling Stone’s 500 Best Albums of All Time.

The second album, launched in July, was Happier Than Ever. Six of its 16 singles cracked the highest 40 on the Billboard Sizzling 100, the highest-charting being “Therefore I Am,” which reached No. 2.

Eilish, who continues to be simply 19, has been described by The New York Instances as “one of the planet’s biggest pop stars,” by The Guardian as “a strong contender for the voice of her generation” and by V journal as “the new pop archetype, arguably the Britney Spears of Generation Z.” No much less an authority than Elton John has mentioned, “I don’t think there’s ever been such a young pop artist to write songs that are so personal. Billie Eilish’s songs come from within her. She reminds me of Billie Holiday, Sarah Vaughan — a totally old soul from a vocal point of view. She doesn’t sound like anybody else today.”

O’Connell in the meantime, is now 24, and has been described by The New York Instances as “a pop star’s secret weapon.” Recently, he has been producing for not simply Eilish, however others, too, together with Camila Cabello and Selena Gomez. And November introduced the discharge of his debut album as a solo artist, Optimist, which he wrote, carried out, organized and produced completely on his personal, save for the primary monitor’s violin and cello.

The duo have been main gamers on the Grammys since 2020. That 12 months, Eilish received 5 awards and O’Connell received six. He turned, at simply 22, the youngest-ever winner of producer of the 12 months; and she or he turned solely the second particular person (after Christopher Cross), the primary feminine and the youngest particular person ever, at 18, to win in all 4 principal Grammy classes — finest new artist, report of the 12 months, music of the 12 months and album of the 12 months — in a single 12 months. Her album of the 12 months win additionally made her the youngest-ever winner in that class, breaking Taylor Swift’s report. On the finish of that ceremony, O’Connell mentioned, “We wrote an album about depression and suicidal thoughts and climate change… We stand up here confused and grateful.”

In 2021, they every picked up two extra Grammys, one for the non-album single “Everything I Wanted,” which received report of the 12 months, making Eilish the primary solo artist since Roberta Flack in 1973 and 1974 to win that class two years in a row; and the opposite for “No Time to Die,” the theme music for the twenty fifth Bond movie of the identical identify, which was acknowledged as the most effective music written for visible media. (A fast facet word: the music’s inclusion within the movie made Eilish the youngest artist ever to jot down and report a Bond music — and folks clearly favored it: it debuted at No. 16 on the Sizzling 100.)

And on Tuesday, O’Connell was nominated for 5 extra Grammys — together with in every of the massive 4 basic area classes, with the most effective new artist recognition coming for Optimist — and Eilish picked up seven extra noms, all for Happier Than Ever, together with report of the 12 months, music of the 12 months and album of the 12 months. On Jan. 31, 2022, she may turn into the primary artist ever to three-peat within the report of the 12 months class.

This 12 months, although, the 2 discover themselves in competition for not simply Grammys however Oscars too. Certainly, their Bond music is the tune to beat in the most effective authentic music contest, having already been acknowledged because the 12 months’s finest authentic music on the Hollywood Music in Media Awards. And a vérité movie about their rise to prominence, R.J. Cutler’s Billie Eilish: The World’s a Little Blurry, may be very a lot within the combine for a finest documentary characteristic nomination, too.

When Eilish, O’Connell and I related final week, we mentioned their shut relationship, their differing approaches to songwriting, why writing a Bond music was all the time a dream of theirs, and far more. A frivolously edited transcript of our hourlong dialog follows.

The place have been you guys born and raised? And what did your people do for a dwelling?

O’CONNELL: We have been born and raised in Highland Park, which is an space in Better Los Angeles. Our mother and father have been actors — and likewise a instructor and a carpenter to maintain meals on the desk throughout our childhood.

What was the earliest signal that there was a musical chip in you guys?

EILISH: Music’s been such a necessary a part of my life. I don’t keep in mind a time when it wasn’t like 90 % of what I did in my day by day actions. As a baby, I used to be all the time singing or we have been all the time arising with stuff — music was by no means not current in our family, particularly singing. I simply by no means shut up.

Billie, I learn that you just had written songs of your individual by the age of 4?!

EILISH: Hell yeah, man. I imply, they have been horrible, however we have been writing songs as youngsters. If I watch residence motion pictures now, it’s humorous to see as a result of I simply was making up songs consistently all by way of the day. I assume there are many youngsters that don’t try this, however I assumed it was tremendous regular. I might simply stroll round the home and sing about the whole lot that I noticed and felt and did — that was simply what I knew.

O’CONNELL: Our automobile rides with our mother and father, after we have been sitting within the again seat, could be singalongs, all the time. And it wasn’t till we have been driving round with buddies that that might be identified to us. They’d be like, “Oh, you guys are always singing when you’re in the car.”

EILISH: We undoubtedly had no consciousness of how a lot music there really was in our lives till different folks would say, “Why the hell are you guys always doing that?”

I perceive that your mom, as a part of your homeschooling, taught you concerning the means of songwriting?

EILISH: Yeah. Our mother has written songs. I don’t know when she precisely began, however she was writing songs our complete childhoods, and earlier than that, and made recorded music. It was no joke. I keep in mind going together with her to her recording classes for her music and having plenty of enjoyable and hiding beneath the desk as a result of I used to be fearful of the engineer.

O’CONNELL: It was an individual that my mother knew by way of her time at The Groundlings in Los Angeles — I wish to say the music director, or possibly simply the keyboardist. We speak at present concerning the “bedroom producer,” and he actually was a bed room producer. We’d go along with our mother to his home, and in his transformed storage he had a pc and he’d put up foam partitions. It wasn’t Henson Studios or Conway; it was like a house recording setup. So now we have all the time been indoctrinated into residence recording. To us, “the studio” is a house studio.


Billie says that way back to she will be able to keep in mind she was gravitating in direction of singing. Finneas, I’m wondering if it was seeing that man’s operation, or one thing else, that made you significantly eager about devices and producing?

O’CONNELL: I all the time gravitated towards bands. I idolized bands as a baby, and I all the time wished to be in a band with my buddies, and I used to be in bands in my teenagers. The primary time I saved up sufficient cash to rent a producer — a man who had performed a band referred to as Unhealthy Suns — to do a music or two, we have been within the studio, and he’d been working with one other band that I assumed was cool and I seemed as much as earlier than that, after which we have been about to depart — I’d run out of cash to pay for studio time, and the subsequent artist was going to come back in — and I keep in mind pondering, “What a cool life this guy has, that he’s just always here, and artists come to him, as opposed to I’m the guy in the band, and we save up the money and we go in.” So, I all the time was like, “I want the keys to the car. I want to be able to do this.” That was actually the second. That was after I was 17-years-old. I used to be like, “I want to learn how to produce.” Properly, I began studying the best way to produce at like 13, however that was after I was like, “Oh, this is the coolest.”

Right me if I’m incorrect, nevertheless it’s sort of essential that you just got here alongside on the time in historical past once you did as a result of, for many of it, expertise and tools wouldn’t have been accessible to someone simply understanding of a bed room, proper? I imply, you have been capable of educate your self loads of stuff on the pc…

O’CONNELL: That is completely true. I imply, it’s a really Outliers book-esque time interval we grew up in. You’re completely proper. Even all the way down to the summer time I received the applying Logic Professional X, which is what I used to provide music — that summer time, they discounted the value, and all of a sudden I may afford it. I used to be 13 years outdated and was saving as much as pay for the dearer one and hadn’t saved up sufficient, after which all of a sudden it was like, “Hey, I can afford this!” They modified it from like $800 to $200, and I used to be like, “Oh my God, I saved up enough. I can do it!”

Historical past may have been very completely different in the event that they hadn’t performed that…

O’CONNELL: Yeah. God bless Tim Cook dinner, man.

Billie, I wish to ask you concerning the Los Angeles Kids’s Refrain. You’ve mentioned folks may assume it was one thing you resisted being part of as a result of there have been some strict guidelines and necessities, however you liked it…

EILISH: I beloved it. Finneas and I have been each within the choir at separate instances, simply due to our ages and his voice dropping. However yeah, it was the closest factor that I’ve ever needed to college and guidelines in a classroom as a result of we didn’t go to high school, so we didn’t have uniforms or homework or have to sit down nonetheless for hours and hours and study stuff, and choir was that. It was actually intimidating for me at first as a result of I used to be like, “What the hell? I’ve never done anything like this.” I’d by no means actually had a instructor that was like, “There are rules in the classroom.” So it took a second for me to get used to homework and stuff. However these years of being in that choir are thus far my favourite instances in my life, and particularly currently, I don’t know why, I’ve simply been emotional about it. I actually miss it. I believe it’s the vacations as a result of we all the time had—

O’CONNELL: Christmas live shows.

EILISH: Yeah, Christmas live shows. We might all promote poinsettias to earn factors and make cash for the choir. I don’t know. There’s simply so many issues I miss about it, and I discovered a lot from it, and I received all of my finest relationships and friendships from that choir.

O’CONNELL: It is a very goofy factor to say, nevertheless it was scholastic, in a way. Billie and I didn’t go to conventional college. We have been homeschooled, and as a lot as we beloved the choir, the rehearsals have been very strict. You’d speak in your 10-minute break in-between components of rehearsal, however apart from that, loads was requested of you. You have been anticipated to sit down there and have a look at the instructor and research and be targeted, and there was one thing about that sort of stricture — there was a component of that silly childhood angst — that we actually loved. Additionally, past the truth that the friendships have been invaluable, et cetera, et cetera, we have been held to a excessive normal as youngsters by these actually proficient administrators. The usual of singing was simply actually excessive, and the items we have been attending to sing have been stunning. We have been attending to sing something from Brahms and Beethoven to new composers like Nicholas Nicassio, who would do Emily Dickinson poetry.

EILISH: Yeah. The music was extremely stunning and so memorable. I teared up many, many instances in rehearsals. Music is so stunning and highly effective — it’s actually loopy how highly effective it’s, particularly if you find yourself placing it out into the world and also you’re the one singing it, and particularly with harmonies and with 60 youngsters singing all completely different components. It’s a lovely, stunning factor, and you’ll’t get it anyplace else. I’ve strived for that great thing about being in a choir and listening to the attractive components for the primary time. You’d observe your half a bunch of instances, after which once you all sing collectively it simply turns into — actually, it’s religious.

Do you suppose that being homeschooled collectively cemented your shut bond? My siblings and I, and most of the people I do know who’ve siblings, couldn’t work collectively as a result of we simply bicker an excessive amount of…

EILISH: We bicker a lot, you wouldn’t imagine it. Individuals say that on a regular basis, and I really feel such as you simply need to attempt to do it. Since we have been infants, we struggle on a regular basis like siblings do. We’re so irritated by one another and infuriated by issues. However we additionally get alongside very well, and actually, nobody on the earth makes me chuckle the best way that Finneas does.

O’CONNELL: Likewise.

EILISH: I believe that that half might be the half that individuals say they don’t have with their siblings, which makes me unhappy as a result of it’s essentially the most wonderful a part of my life.

O’CONNELL: You’re proper, we spent loads of time as younger folks collectively as a result of we have been homeschooled and it was type of a household unit, versus Billie off at one college and me off at one other one. Then, proper as our adolescences hit, after I was 18 and Billie was 13, I began performing. I used to be on a season of the present Glee, and Billie was getting increasingly concerned in dance courses — she was in a dance firm on the time — and we have been spending much less and fewer time collectively. Then we have been like, “Let’s make some songs,” that sort of informal factor changed into this extra critical factor, and so we had this excuse to see one another on a regular basis. Most people that I’m closest to have a extremely shut relationship with their siblings — I believe that’s why I determine with them — however they simply haven’t any excuse to see them, you recognize what I imply? They speak as soon as a month on the telephone in the event that they dwell in separate states. When Billie and I completed her second album, between the second album being completed and popping out, we noticed one another half as a lot as after we have been making the album as a result of we simply didn’t have— We’d performed the factor, after which Billie was making music movies for it, I used to be producing different artists, and also you’ve run out of your excuse to hang around on a regular basis. And so I believe that’s the opposite factor that has cemented our closeness, is simply now we have this excuse. It’s a part of the rationale I really like happening tour with Billie — I’ve this excuse to get to spend months at a time together with her.

EILISH: Yeah. I completely, completely second that. I’ve seen TikToks the place persons are speaking about how unhappy it’s that they’ll by no means have the ability to dwell with their sibling once more. They don’t hang around the best way they used to, their lives are separate, they dwell in numerous states, and it’ll by no means be the best way it was — and it’s so unhappy as a result of it’s true. I believe that sadly, me and Finneas, if we didn’t have music, making music collectively, we might most likely be like that. We might dwell individually and we wouldn’t see one another — we’d see one another after we’d have household get-togethers. However fortunately, like Finneas mentioned, now we have this factor that retains us having to see one another, which is very nice.

Let’s return to a serious turning level in your lives. Finneas, you have been in a band and provide you with this music, “Ocean Eyes.” That is proper when Billie suffers an damage that ends her critical involvement with dance. And at that very second is when Finneas asks Billie to collaborate on a music for the primary time.

EILISH: I imply, it’s actually fascinating that you just say that as a result of it’s true that factor after factor occurred that made all of it occur when it occurred, and it’s so bizarre how life is like that. I don’t essentially suppose that the whole lot occurs for a motive or that the whole lot is supposed to occur, however it’s actually fucking fascinating how issues occur and why and the way they result in different issues, and if this hadn’t occurred, that wouldn’t occur. Yeah, on the time, I used to be planning on having dance be my future, and wasn’t actually as concerned in making music as Finneas was. I beloved it, nevertheless it was not the factor I used to be targeted on. It was dance on a regular basis. And I received injured, couldn’t dance anymore, was caught at residence — a really, very depressing woman. And yeah, music simply sort of got here in and swept me up and took me away. With out that damage, who is aware of, however I most likely wouldn’t have made music and had any type of profession in any respect. It’s actually bizarre.

Finneas, why was that the second or the music that made you attain out to Billie? You knew she was eager about singing earlier than that, and also you’d made music earlier than that…

O’CONNELL: Properly, earlier than that particular music, we had already dipped our toes into it. We’d already thought it might be a cool thought to make some stuff collectively. And the factor about that music was, I don’t wish to use the phrase “femininity” about that music, however there’s a fragile high quality to “Ocean Eyes” that I used to be not succeeding at executing in my band. I used to be belting the refrain. We had big drums and guitars. It wasn’t fragile sufficient. So I both knew that I used to be going to need to redo it myself as a really delicate factor with me singing it, or— I simply may hear Billie’s voice on it. And likewise, that’s not a music that’s particularly about my life, and in order that was the opposite motive that I may hear Billie on it. I write loads of very private, autobiographical songs, and that wasn’t one in all them, so I used to be like, “This would be a great one for her to sing,” and she or he simply murdered it instantly. That was sort of the a-ha second of like, “Wow, this is as good as I could hope for.”

It was November 2015 once you put that on SoundCloud, and it took on a lifetime of its personal. Billie, you have been simply shy of 14 at that time, and you’ve got mentioned that you just spent all the 12 months once you have been 14 in conferences with all completely different sorts of individuals, beginning with a gathering together with your supervisor that was actually like a fork within the street. ..

EILISH: Gosh. Properly, “Ocean Eyes,” which is the music we put out on SoundCloud, which is what Finneas was simply speaking about, got here out six years in the past at present.

Oh, wow, pleased anniversary!

EILISH: Thanks.

O’CONNELL: Yeah, it simply celebrated its anniversary.

EILISH: Which is de facto so unusual and makes my pores and skin crawl just a little bit. Six years in the past! It’s very bizarre. However yeah, I used to be 13 after which turned 14 a month precisely later. And all the 12 months, man, was conferences and conferences and conferences. The primary one? I had choir afterwards, so it needed to be actually brief. My mother and I drove to—

O’CONNELL: The Espresso Desk in Eagle Rock.

EILISH: Yeah, The Espresso Desk, which was throughout the road from the place we used to do aerial arts, the place my mother used to show, so we might spend loads of time up there. And my mother drove me up there, and she or he was like, “Okay, we’re having this meeting with this guy, and he’s the manager for this person, and Finneas knows him, and I don’t know what we’re really doing, but, whatever, he seems nice.” We went to this again patio, and there was one different particular person again there, and me and my mother have been sitting there ready for him, and he was late, in fact — he’s been late each time we’ve performed something ever since — however he confirmed up, and he’s a really small man, in a leather-based jacket and a few sun shades, and I used to be like, “Oh, that’s a very small man.” He simply occurs to be brief. I’m simply rehashing what occurred, and that was my first thought. He came to visit and we met and I shook his hand and my mother shook his hand, and he simply sat down and talked about nothing, after which we sort of received into what do I believe is cool, what do I need, do I’ve plans, and I used to be similar to, “I don’t know. I’m just going through life.” I had simply turned 14, thoughts you. I don’t keep in mind precisely what he mentioned, however he mentioned one thing like, “So, do you actually want to do this? I want you to think about it.” It’s so fucking annoying to be requested that once you don’t even know what “this” is. Oh boy, the quantity of instances that I’ve thought of that second and been like, “Did I really want to?” I don’t know. However I assume I’m glad that I did. I don’t know. It’s simply, life is bizarre, and good issues include unhealthy issues, and unhealthy issues include good issues, and I’m very grateful for the life that I’ve had and for the profession that I’ve. It’s fairly unbelievable and surreal that it’s my life. I sort of am in shock generally. But it surely’s humorous to be requested that query once you don’t really know what it’s that they’re asking you in order for you. I used to be up for something. I used to be like, “Hell yeah, are you kidding me? I think I do.”

O’CONNELL: Some issues are a slippery slope. A number of years later, one other factor occurred, and I’ll evaluate the 2. In 2018, so I assume three years later, R.J. Cutler came to visit to our home to speak about directing a documentary about our household and Billie particularly. And in 2018, Billie and I each have been like, “Why are you filming a documentary about us? We’re not important enough for a documentary.” The explanation I carry that up is in 2015 when someone goes, “So, do you really want to do this?” you’re like, “Sure, I want to do this. Isn’t ‘this’ playing a show to 30 of my friends at some point and putting out some songs online?”

EILISH: Yeah, I didn’t, by the best way, consent to what I received. I’ll simply say that. I mentioned I wished to do “this,” which means what Finneas simply mentioned. I wished to place music out and make music and make movies and go do reveals.

O’CONNELL: For those who deliberate for worldwide superstardom, you definitely wouldn’t get it. It’s solely accidentally.

EILISH: It’s only accidentally.

O’CONNELL: I believe what occurred to us was we didn’t know that was on the desk. We mentioned ‘yes’ to the type of small fries factor. A label indicators a child and of their head they’re like—

EILISH: “You’re going to be huge.”

O’CONNELL: That’s so uncommon and doesn’t occur to 99 % of individuals.

EILISH: And likewise, you don’t need that. You simply don’t. You suppose you do, and I do know that individuals suppose they do, they usually suppose that they suppose that they’re proper, proper? It’s how you are feeling once you’re younger and persons are like, “You’ll understand when you’re older,” and also you’re like, “No, I won’t. I want to understand now because I’m old enough now.” However you simply aren’t. You simply don’t know. That’s sort of an issue on the planet of this — folks generally begin to do that as a result of that’s what they need the tip aim to be, and that basically bothers me as a result of, to begin with, why would you need that? Second of all, it’s actually onerous and onerous to realize, and should you actually wish to obtain it that unhealthy, you’re going to be actually impatient which suggests you’re going to let your self get it in some bizarre methods, possibly. That simply worries me with folks.

In the remainder of that 12 months of conferences, you have been determining who else you have been going to encompass yourselves with. You find yourself now signing with Interscope. And I’m wondering should you guys can speak about if or the way it modifications issues once you go from writing music since you wish to, to basically having to ship a product at a sure period of time. I imply, you’ve each mentioned that the method of placing collectively the unique EP, Don’t Smile at Me, which was “just” six songs, was horrendous…

O’CONNELL: It was horrible, man. I used to be so inexperienced and was doing the whole lot the toughest manner and studying on the similar time, and Billie was having to take care of an individual who was so inexperienced and so apprehensive about doing job and dwelling as much as no matter my very own expectations have been. And Billie and I have been combating loads. She was doing a bunch of stuff on the similar time.

EILISH: It was horrible.

O’CONNELL: I’m so grateful to Billie for placing up with me again then. I really feel like each venture we’ve made since then, it’s 50 % simpler each time. Now it’s simply simple for us to make stuff. But it surely was similar to the primary time we have been doing something, and we have been younger as hell and I used to be nervous. And, I imply, it’s humorous too as a result of I additionally felt just like the stakes have been larger — and I actually suppose they have been.

EILISH: I believe they have been.

O’CONNELL: I actually felt again then that the distinction between having a profession and no profession was making some good songs. Now, the ball is in movement. We simply get to sort of preserve rolling with it and make stuff we’re happy with. However again then, I used to be sort of terrified as a result of I so desperately wished to make music that we have been happy with and that we felt actually captivated with. I’m nonetheless actually happy with these songs — I didn’t know what I used to be doing in any respect, however I’m nonetheless actually happy with them. I needed to work tougher than I’ve to work now to get the identical outcomes due to expertise. It’s like should you needed to construct a home at present for the primary time. Even when it was superior, it might be so onerous. However should you’d been constructing homes for 10 years, you’d be like, “Ah, I know exactly what to do.” Fixing your individual errors is what takes so lengthy.

Proper. So six songs for the EP, then 13 for the primary album solely a 12 months and a half later, and I assume, as you say, you simply sort of get higher or extra environment friendly as you go alongside…

O’CONNELL: Yeah, you get extra skilled. You get extra assured, get extra experimental. After which similar take care of the second album. The second album was a degree up from that. It was a 16-song report. Yeah, I imply, it’s been simpler and simpler and increasingly enjoyable. Particularly the newest venture, Billie and I had a blast making it. I might return in time to make that very same album once more, I had a lot enjoyable making it.


O’CONNELL: It was not torturous. It was enjoyable.

Do you method songwriting in numerous methods? Finneas, I noticed a quote of yours, “I definitely don’t think your best work requires tension or struggle. I’ve made heartbreaking songs that I love as a very happy person.” However then, Billie, from watching the documentary, I received the sense that you really want or must really feel what you might be singing about. Do you are feeling that that may be a distinction between the best way you guys come to the method?

EILISH: Attention-grabbing query. Properly, I don’t know if that’s the distinction. I believe that basically, it’s simply that Finneas is a wunderkind about songwriting. The distinction is that I’m an everyday songwriter, and Finneas is sort of a genius songwriter. I believe that if he have been to take assessments that take a look at your mind energy, he could be thought-about a genius, musically. I’m not joking in any respect.

O’CONNELL: It’s very candy of you. I don’t really feel that manner, however that’s very candy of you.

EILISH: After all you don’t. However anyway, I believe that’s the distinction. However no, I undoubtedly don’t want to really feel or undergo one thing to jot down a music or make artwork about it in any respect, actually. I believe that it’s simply that you just can do each. I additionally, concurrently not needing to, do undergo loads of experiences which are unhealthy and undergo loads of emotion, after which I write about these issues as properly. So it’s not like I can solely try this. It’s that I can try this, after which I may create artwork out of nothing. I can do all of it.

O’CONNELL: Sure, I’ve written songs about stuff that I went by way of years in the past that I’m not going by way of that feels present, or a music about one thing that I’ve by no means gone by way of however I can think about it. However what a blessing, should you’re going by way of one thing disagreeable, to get to jot down a music about it and have an outlet, a communication instrument or vessel. I simply had one thing occur to me just lately. I’ve this charmed, pleased life, however a tragedy occurred to someone that I’ve recognized my complete life, and it was a tragedy to me as a result of I’d recognized them my complete life and I beloved them. The music that I wrote due to that, even when it by no means comes out ever, I’m so glad I had that music to jot down as a result of it helped me course of all of the emotion that I used to be feeling from this occasion. Have you learnt what I imply? What I didn’t suppose was, “Oh, I’m so glad I have an inspiration for a song!” It was like, “How do I process what I’ve just been through? Well, I’m going to write a song about it.” After which even when I put it in a field and nobody ever hears it, I understand how I felt as a result of I used to be capable of write these lyrics about it.

Properly, you anticipated precisely the place I wished to go subsequent. I used to be going to ask, do you guys discover songwriting cathartic? Billie, we don’t need to rehash the whole lot that led to “Everything I Wanted,” however did you are feeling higher after doing it?

EILISH: Yeah, completely. I believe that the factor for me that feels the most effective is what Finneas has simply mentioned. The music that he’s referring to, I’ve heard it — it’s not out or something — however that was so particular to a scenario, whereas “Everything I Wanted” was very broad. There have been loads of issues that occurred inside two years that led to that music, so it wasn’t actually a couple of particular scenario. That music wasn’t tremendous like, “Oh, my God, thank God I got this song out of my system, it’s really helping me cope,” as a result of it wasn’t a particular factor that occurred. However the second verse of that music completely felt like a coping mechanism and a really satisfying cathartic factor, however then that’s simply particular lyrics. I additionally are usually a lot better at writing about issues that occurred, not issues which are occurring. I are likely to not likely know the best way to write about stuff that’s occurring. Me and Finneas really speak about this loads as a result of it’s actually onerous to know what the hell is happening proper when it’s happening, and to articulate it. If someone asks you the way you’re feeling, you’re like, “I don’t even know, but it’s a lot of stuff.” After which when it’s over, then you possibly can suppose again and go, “Oh, okay. That makes sense. I was feeling like this because of that.” And so for Happier Than Ever, our album we simply put out, the writing of that was all issues that had occurred in my life a year-plus in the past that I had lastly been ready to consider and truly have a look at from a rational particular person’s perspective, which I hadn’t performed earlier than.

You bought to course of issues.

EILISH: Yeah. It opened up this big artistic bubble in myself.

The documentary captures an fascinating conundrum for an artist. Finneas, I assume there was some communication from the label: “Focus on writing a hit.” And also you knew that Billie wouldn’t like that. However how do you guys steadiness inventive and industrial issues? For those who have been solely eager about making songs that enchantment to you guys, that’s one excessive; then there’s the opposite excessive of solely making issues that you just suppose different persons are going to go for. How do you navigate the place you land in the course of these two extremes?

O’CONNELL: Properly, I can inform you this. I really feel like I’ve discovered from expertise that you just by no means know should you’re going to make successful, so it’s not tremendous value attempting to make successful. What is completely legitimate and priceless is — irrespective of how massive or small your viewers is — figuring out your viewers and making one thing and pondering alongside the best way, “They’re going to love that line,” even when you considered your self first. I might say that Billie and I are making music that we love, but additionally within the thought-process is the enjoyment of individuals listening to our music as a result of, I believe from years of taking part in reveals now, that’s such a tangible feeling. You simply know these moments in your present the place you notice that these youngsters are screaming these lyrics. I imply, it’s occurred. We’ve performed a bunch of festivals this 12 months with Billie, and the best way youngsters sing the music “Happier Than Ever,” I used to be like, “I knew it! I knew they were going to sing this part of this song that way.” And so I believe I’d somewhat spend the remainder of my life excited about the viewers than type of the music itself being successful, and that to me is sufficient, so long as I’m additionally excited about whether or not I like one thing too. It’s simply these two issues. And I assume the rationale the duality of that’s essential is our consideration span with ourself and our personal artwork might be fairly brief. If I used to be really solely making one thing for me in non-public, possibly I wouldn’t repeat a refrain or one thing as a result of I wrote it and I heard it and I don’t want to listen to it once more — however the viewers, it’s absorbing it for the primary time, they usually need that tasty, itch-scratching factor once more. And so, it’s like, “Yeah, here it is again.” It’s sort of giving the folks what they need. It’s, to me, what I’m all the time aiming to do.

Properly, can we deal with a case research of that? Nearly each single from the primary album made the Sizzling 100, however the one which clicked essentially the most, for no matter motive, was “Bad Guy.” Would you’ve gotten predicted that once you guys have been making the album?

EILISH: No, no.



O’CONNELL: No. However we beloved it, and our dad ran within the room after we have been making it and was bopping round, and I ought to have recognized that it might be an earworm — it simply caught in your head immediately the primary time you heard it, the best way Billie’s singing it. Now, looking back, I hearken to it and it’s not a thriller to me in any respect. It’s simply that you just don’t know what you’ve gotten till you recognize what you’ve gotten, you recognize what I imply? However now I’m like, “Oh, this totally makes sense.”

EILISH: Yeah. However I imply, I beloved it. We beloved the music. However once more, you don’t know. You actually haven’t any clue what the hell goes to be favored. I imply, it’s so bizarre. You all the time go into this and also you’re like, “Oh yeah, the fans are going to love this one.” After which they’re like [makes a deflating sound]. No, they don’t try this, the web does that. However it’s true that you just suppose, “Oh, this’ll probably be good” or “This will be big,” after which those that you just don’t suppose that about get massive. It’s simply so humorous. Music simply is beloved the best way that it’s beloved, and I really like that about it. Individuals prefer it in the event that they prefer it and also you simply do not know why. However apart from that, we beloved the music. I imply, folks did inform us that it wasn’t successful, however we favored it so it didn’t actually matter.

Do you belief anybody as a sounding board, other than one another?

O’CONNELL: Simply one another.

EILISH: Yeah, we’re just a little annoying about that.

O’CONNELL: Billie can second this if she desires to, however I don’t like criticism and notes for no motive. I like folks to really feel allowed to present their opinion if they’ve it, however they don’t need to make up an opinion. Artists that I’m buddies with will ship me some music they usually’ll be like, “What do you think about it? What would you change?” And I’m like, “Simply ship it to me, and if it’s lacking one thing I’ll say, ‘Hey, you should add this.’” We have team members, we have managers and stuff who are consistently good at that. We don’t ask what they suppose, however they inform us what they suppose and it’s useful — and loads of the time they don’t. They go, “We think it’s great. We don’t have any notes for this.” And I actually am grateful for that.

EILISH: We’re fairly annoying about it. Anybody may say, “Oh, that’s so cocky of them” — I actually couldn’t give much less of a fuck. I don’t. I used to be actually saying this the opposite day to someone: There are occasions when we want constructive criticism — that’s after I don’t understand how I really feel as a result of I don’t have a powerful sure or no in my intestine — so what I’m going to do is textual content this particular person and say, “Hey, what are your thoughts on this? Do you agree with me? Do you not agree with me? Be honest, whatever.” These are the instances after I wish to know as a result of I don’t really feel like I actually know myself in that second. However then there are occasions when you’ve gotten a powerful intestine feeling and also you need it a sure manner and also you don’t ask folks. And so, in not asking folks, you don’t wish to know. I don’t wish to know. If I wish to submit an image on my Instagram and I don’t know if it’s good, if I can’t actually inform if persons are going to love it, if I really feel apprehensive about this or that, I’ll ship it to Finneas or Laura [Ramsay, Eilish’s day-to-day manager] or a good friend or someone, and I’ll say, “Is this worth posting?” They usually’re like, “Yes,” “no,” “whatever.” In any other case, if I don’t wish to know, I simply submit it, and I don’t wish to hear one phrase about anyone’s opinion about it — I posted it as a result of I wished to submit it. And it’s sort of like that with music. We don’t do it to be like, “Oh, we’re better than everyone.” We simply belief our guts. I, like Finneas was simply saying, don’t wish to hear notes for no motive after we don’t really feel like they want them, I assume.

To attach the dots from the discharge of that album to you guys turning into concerned with Bond: two weeks after the discharge was Coachella, then there was the In Memoriam on the Oscars, all of the Grammys, and simply loads of madness that I’m positive modified your lives in a serious manner. However someplace alongside the road, someone calls you and says, “We’d like to know if you’d like to do a Bond song”?

O’CONNELL: Right here’s what occurred. We’ve all the time wished to do a Bond music. That’s a factor that we’ve all the time thought of and fantasized about. And now we have workforce conferences now and again for very tactical causes — “We have this coming up, what song are we going to do?” et cetera, et cetera, actually sensible stuff. However generally they’re aspirational. They’re like, “What’s a fantasy goal?” And sooner or later, Billie or I mentioned, “We’d always love to do a Bond song.” On the time it was like, “Are they making another one? Are they going to make another one in a couple years? Let us know who we could tell that we’d love to do that and just make that known.”

Why did you guys so wish to do a Bond music? Is it that you just love Bond motion pictures or earlier Bond songs?

O’CONNELL: That’s query. Typically once you’re writing a music, you unintentionally write sort of a Bond music. You write this chord development and also you suppose, “Oh, that sounds kind of like a James Bond song!” And should you do a James Bond music, you’ve gotten an excuse to jot down a James Bond music! So, that’s actually why. But in addition sure, I really like Jack White’s, Alicia Keys’, Paul McCartney’s and Adele’s, and so does Billie. And so the corporate you’re in is thrilling, and the flicks are simply cool, man. This franchise? The Daniel Craig sequence have been a few of my favourite motion motion pictures. So we met some folks at MGM and type of mentioned how a lot we beloved it, they usually have been pretty to us. Then we received phrase that Barbara [Broccoli, who co-produces the Bond films] was going to fly to see a present of Billie’s in Eire in the course of a shoot — they have been taking pictures a film, however she would fly from the shoot to come back go to us. She got here, we met together with her, and I believe her son was together with her too, they usually have been each pretty. And that assembly principally ended together with her saying, “I’d be interested to see what you come up with. Here’s the first—” I believe it was about 20 pages of the script, and that leads as much as the place the music goes within the film. What by no means occurred was, “You’re hired.”

EILISH: “You got the job.”

O’CONNELL: “We’d love for you to do it.” It was all the time like—

EILISH: Conditional.

O’CONNELL: “This is a big deal. We’d be eager to hear what your take on this is, but no promises.” And finally, as anxious as that was, I believe it was sort of nice to have or not it’s an audition as a result of we knew that we needed to make this music. We needed to win. what I imply? It was like, “We have to really deliver on this song.”

Did they ever say, “There are certain parameters beyond the script. For a Bond song, we need X, Y, and Z.” Or is it actually simply, “Go and come back with what you want to show us”?

O’CONNELL: They gave us none of that, actually. The entire parameters that we needed to dwell inside have been our personal. Our favourite songs within the franchise are the title of the film, proper? “Goldfinger” and “Skyfall.” So, we wished it to be the title. After which, even when somebody has by no means heard of us they usually don’t know that it’s on this film, the very first thing we would like everyone to suppose is, “This sounds like a James Bond theme song!” what I imply?

Did you method it otherwise than some other music you guys have labored collectively on? Is there one thing distinctive about crafting a Bond music?

EILISH: It undoubtedly was a special course of. We put much more stress on ourselves as a result of it was actually one thing we wished to do. It was virtually essentially the most we’ve ever wished to do something, I really feel, and it took a second as a result of we have been so apprehensive as a result of we have been like, “Oh my God, it has to be right.” And the issue is as soon as I begin writing a music — and it is a factor that I’ve occur loads after I write, which I ought to recover from and determine the best way to take care of higher — I’ll begin writing a music and I’ll write a melody and I’ll write a lyric, after which I’m like, “Actually, I don’t want this song to have that kind of melody. I want it to be way cooler than that.” So, then I’ll simply quit as a substitute of simply altering it. It’s actually silly. So with Bond, it was sort of weeks of often being like, “Okay, let’s sit down and write something,” after which we’d write a melody and we’d be like, “That’s not it.” And we’d sort of cease for a sec as a result of we’d be apprehensive as a result of we didn’t wish to write the incorrect factor. We wished to be actually happy with what we wrote and happy. We have been Texas doing a pair reveals in-between ACL in 2019 and we have been like, “Okay, we’ve got to do this. Let’s figure this out.” And Finneas had a studio arrange in his inexperienced room — which he does at each present, which is definitely very nice — and we have been simply sitting there arising with stuff. We have been so paranoid. We have been similar to, “It has to have the right melody, and we’ve got to have it be about the script and about the movie and whatever.” Finneas, didn’t you begin with both the refrain or the intro? I don’t keep in mind which one it was.

O’CONNELL: Began with the piano.

EILISH: Yeah, that’s what I assumed.

O’CONNELL: I simply was like, “That feels real.”

EILISH: That was the go. We have been like, “Oh, okay.” And from then on, it was the identical manner we write something besides simply far more, I assume, decided, and with extra deadlines in our personal heads as a result of we actually wished to get the half. We have been auditioning, so we have been doing it on time. That was the primary distinction between anything, I believe.

Billie, I’ve heard you type of bristle when folks liken your singing to whispering and ASMR. If you did the In Memoriam for the Oscars, singing “Yesterday,” I heard you wished to verify the digital camera was on you once you have been actually belting it so that individuals noticed which you could actually sing. With “No Time to Die,” I really feel like they get that probability once more. Was it essential to you to point out folks with this music which you could actually let it rip?

EILISH: That was most likely one of many principal issues I used to be enthusiastic about when it comes to the music, was simply that I used to be like, “People are going to hear that I can sing big!” Additionally, I bombed “Yesterday,” by the best way. I didn’t do job singing that.

I used to be there and I assumed you have been nice!

EILISH: Thanks. I’ve by no means been extra nervous in my life.

O’CONNELL: Hey, Billie, facet word: I simply learn Dave Grohl’s autobiography. He did “Blackbird” on the Oscars I believe two years earlier than we did “Yesterday,” and he’d been taking part in arenas for 20 years, and he mentioned he’s by no means, ever, ever, ever been extra nervous for something than throughout that.

EILISH: Dude, the Oscars is so cool.

What’s it concerning the Oscars that’s so intimidating? Is it simply that it’s the most important award present?

EILISH: Movie is a lot cooler and extra intense than music. It’s actually humorous how completely different actors are than musicians. Musicians are in every single place — they put on silly shit, put on silly garments; they’re goofing round on a regular basis as a result of it’s their manner of expressing themselves; they present up late to stuff and say bizarre stuff and don’t ever have a speech deliberate. And the Oscars? Actors are simply, they’re so on time, and properly dressed, and properly saved, and properly put, and properly the whole lot. All of them had speeches deliberate, and have been very properly spoken, and it was simply unbelievably intimidating. I used to be similar to, “Wow, these people are so good at this.”

O’CONNELL: We received introduced by Steven Spielberg. Spielberg was like, “Billie!” Each a part of it was very cool.

EILISH: It was cool. It was so, so scary, and funky. And likewise, it’s additionally simply intimidating to be in a world that’s not your world. That’s not our world. We’re in music. It was so scary.

Properly, I do know that you just guys actually revere motion pictures — “When I Was Older” was impressed by Roma. And it’s humorous as a result of film stars wish to be—

O’CONNELL: Musicians, yeah. Oh, yeah. Being a musician is far more enjoyable than being a film star.

EILISH: It’s undoubtedly extra enjoyable, for positive.

O’CONNELL: What do you suppose sounds extra enjoyable, Scott: crying all day pretending that your brother died, or everybody in an area chanting, “Scott! Scott! Scott! Scott!”? What’s extra enjoyable for you? That’s not onerous.

I take your level.

EILISH: However yeah, I used to be very excited for folks to listen to that I’m able to singing not in a “whisper.” I’ll say, it’s very humorous the best way that the web and society works, as a result of they determine issues about folks and artists, after which these are the issues that they consider that artist perpetually. And they also determined issues about me as an artist after I was 14 after which caught with it, like, “Oh, she’s an artist that sings like this, and her voice sounds like this.” And I’m like, “Well, it did when I was 14. Please tell me what your voice sounded like at 14. I would love to know so that I can determine who you are.” So, that bothered me too as a result of I used to be like, “Every year and every time I make music, my voice changes — because I’m a growing girl!” Christ.

Properly, only one different word about motion pictures. It was simply introduced at present that you just guys are doing three songs for the subsequent Pixar film, Turning Purple.

O’CONNELL: That was so enjoyable, man. I’m so excited that that received introduced as a result of that’s been our little secret. We made the songs throughout the pandemic.

EILISH: Yeah, we noticed the storyboard of the film at first of 2020, possibly finish of 2019.

O’CONNELL: Yeah, that was such a enjoyable course of.

EILISH: So enjoyable.

O’CONNELL: And the director is de facto so proficient — her identify is Domee Shi. She’s unbelievable, and it was only a actually cool course of the entire time.

For these maintaining rating at residence, the chronology of all of that is fairly loopy. You’re saying you heard about Turning Purple in early 2020. As for “No Time to Die,” you guys launched the music on Feb. 13, 2020. Then the pandemic hit, so the film was delayed perpetually. You received the Grammy for finest music written for visible media earlier than anybody had even seen the visible media. The entire thing will need to have felt surreal.

EILISH: Yeah, fairly loopy.

Billie, Finneas has been producing for different artists along with you — amongst them, Camila Cabello and Selena Gomez. Is it bizarre to need to share him?

EILISH: It’s, in principle, however he doesn’t work with anybody else the best way that we work, I really feel. I imply, I speak to him about it. It’s very separate. It’s within the realm of after I make movies. It’s different folks working with me, nevertheless it’s very completely different.

O’CONNELL: Yeah, it’s very completely different, and I don’t work on something that feels like Billie. That’s the opposite factor, and that’s a really, very acutely aware selection. What’ll occur generally — not with the artists that you just simply named — is you’re employed with someone that’s already profitable and well-known, and also you suppose, “Oh, this will be great. I get to work in their world.” However they’ve sort of employed you to do your factor. And I’m like, “No, you don’t understand. That’s Billie. I’m not going to rip Billie and me off for this.” All of the work I do must be differentiable. My fantasy with anybody else is that you just simply go, “I like the song. I wonder who did it?” And you then’d look it up and it was me. I don’t ever need them to be like, “Oh, I bet that’s Billie’s producer!”


There was only a documentary concerning the Bee Gees which was sort of like that. I had no thought they wrote all of those nice songs later of their profession for different artists…

EILISH: So cool.

Finneas, in October you set out your debut album as a solo artist, Optimist, and I do know you’re now touring with it. Do you are feeling you’ve gotten a greater understanding of what it’s wish to be Billie?

O’CONNELL: Yeah. I imply, I’ve a greater understanding of how grueling it’s. I’m studying to handle my voice higher, and I’ve been in some bodily ache on this tour from leaping round on stage and leaping off my piano and stuff. I’ve all the time had respect and admiration for it, however now I’ve a tangible understanding of the way it feels to do it.

Billie, you’ve gotten spoken concerning the horrible impact that social media has had on you at varied factors. Do you continue to use it? And do you suppose different younger folks ought to?

EILISH: I do use it. I really feel like I’m compelled to make use of it, in some way, besides that I’m the one which picks up my telephone and appears at it. The web is that this bizarre factor. It’s like a poison. I don’t suppose anybody ought to use the web. what I actually suppose? I believe that no one within the public eye ought to use the web. I believe it isn’t meant for us. We aren’t speculated to go on there, I don’t suppose. And if the remainder of the world desires to make use of it as a spot to speak about us and our complete self, possibly we shouldn’t be on there. But it surely sucks as a result of it’s like, I wish to see humorous movies too similar to you idiots — I simply wish to see horses operating round and leaping over stuff and canines and pit bulls being cute and folks falling!

In a sentence, what do you suppose is the most important false impression about you?

EILISH: Jesus. I imply, the whole lot — actually the whole lot. And I say that simply since you simply don’t know anybody except you recognize them personally. That’s it. And I say that about me as a fan, as properly, and me as a hater, as properly. There are issues I believe are lame and I’m like, “Well, why? I don’t even know about this.” what I imply?

O’CONNELL: I’ve a extremely brief reply to this query. The Web says I’m 5’5″. I’m six toes tall. That’s simply unaccepted.

They’re complicated you with the supervisor Billie was speaking about.

O’CONNELL: That’s proper, man. Yeah, they’re pretending that our supervisor is six toes tall. He’s 5’5″. I’m six toes tall.

EILISH: However I do wish to end my sentence simply actual fast simply because it’s actually essential. If you’re a fan of one thing or when you recognize loads about one thing, you are feeling like you recognize it personally, and also you simply don’t. The issues and people who I’m a extremely massive fan of, I really feel like I do know them and I can run up and hug them, and I’ve all the time felt like that since I used to be a child. And now we have to keep in mind that we’re all strangers to everybody. The web has no clue who I’m in any respect, actually has no clue. And I’ve discovered this much more by assembly folks which are different artists and being like, “Oh, I had no idea this was who you are,” and that implies that neither does the world, as a result of everyone is a stranger all the time.

For those who wakened tomorrow and realized that the final six years had been a dream — that you just hadn’t uploaded the music to SoundCloud, let’s say — how would you are feeling?

O’CONNELL: I hate that concept.

EILISH: Yeah, that’s a horrible query to consider as a result of I don’t know. I might be actually, actually fucked up by that, and actually upset and depressed, as a result of it’s not similar to that is my profession — that is my complete life. There’s nothing in my life that doesn’t need to do with the profession I’ve. That doesn’t imply my complete life is all about music and Billie Eilish. It’s that it’s turn into a part of the whole lot in my life.

O’CONNELL: We’re so fortunate, however along with all of the luck, it’s the six years straight of simply working our asses off and getting to perform the issues which are our lifelong goals. So it might actually simply be getting the entire finest components of our life taken away, is what it might actually be like.

EILISH: However then getting loads of higher issues, although, additionally.

You’d have anonymity.

EILISH: Uh-huh. Tons extra freedom and privateness and possibly some extra pleasure, a special sort of pleasure. However I get pleasure from my life a lot now, so I undoubtedly wouldn’t need it — however I might really feel just a little bit relieved. But in addition very, very, very depressed.

End this sentence: “When I think about the future, I…”

EILISH: Once I take into consideration the longer term, I get anxious.

O’CONNELL: Am pessimistic.

Concerning the world?

O’CONNELL: Yeah. I’m not that hopeful.

And at last, one different loopy time-travel query. For those who may return in time, with the good thing about hindsight, to that second proper earlier than you uploaded “Ocean Eyes” to SoundCloud, and provides your self a chunk of recommendation about the best way to deal with the subsequent six years, what do you would like you’ll’ve been capable of say?

EILISH: Geesh. It’s so good that we are able to’t really return in time as a result of, oh my God, what would I say? I might say, “Are you sure?” Or simply, “Be yourself,” I would say, as a result of I believe that I used to be not likely myself for a number of years there, simply because I assumed issues have been cool and I wished to be these issues on a regular basis, consistently, as any teenager does. But it surely’s humorous. There’s a scene in New Woman the place Nick and everyone thinks that he might need most cancers or one thing, and — this so silly, however I reference reveals on a regular basis as a result of they make sense in my life — Schmidt says, “If I could trade bodies with you, I would do it in a heartbeat. You know, I really would.” After which he’s like, “I’m also glad that I can’t.” I’ll say that.

O’CONNELL: I might return and inform myself and Billie — and I really feel like I inform folks this now — to get pleasure from the whole lot as if it have been short-term. I believe that’s the factor. Benefit from the years of anonymity, when it comes to speaking to Billie, get pleasure from with the ability to go in all places and never be chased, get pleasure from all that as this short-term factor. I believe we spend loads of our lives ready for our lives to alter, however it is best to benefit from the interval of your life earlier than it modifications as a result of if it does change, you possibly can’t get it again. So, I assume, yeah, get pleasure from your common life.


Click on for “‘Awards Chatter’ Podcast — Billie Eilish & Finneas (‘No Time to Die’) “ Hollywood News

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